Shoot the finer details

So how often do you swap your wide angel lens for a prime or macro lens when you are out on location? Capturing the small details that make up the larger picture can be a great way to tell the entire story of an amazing landscape.

Week 30 Jetty

Canon 40D @ 10mm, f8, 1/30sec, ISO 200 with Tiffen HD polarizer

Once again I have used the jetty pillars to block the sun directly entering my lens, but still get a very warm feeling to the shot. To capture the details in the shadows in the underside of the jetty I have exposed the image for a little longer than usual at 1/30sec. At this slow shutter speed it is imperative to use a tripod. A Tiffen HD circular polarising filter has also been used in this shot to reduce the glare of the ocean.

www.photovideo.com.au

For this weeks additional images I used a 50mm f1.4 prime lens. The shallow DOF that this lens gives you is amazing. You can turn a simple rusted bolt into something captivating to the  viewer. Whilst these bolts are visible in the wide angle landscape image the finer details are not visible.
A macro lens is also a great 2nd lens to have with you. If you cant afford a new macro lens don’t forget that many point and shoot cameras have great built in macro modes that (with the use of a tripod for an extra steady shot) can yield some great stock shots.

Bolt

Shots like these can look great when used as page backgrounds for coffee table books that document things like holidays or your portfolio. Just drop the opacity and slightly de-saturate them. Textures like concrete or grass can also look great as backgrounds.

Rusty BoltBolts

So next time your on location and you’ve captured the sunrise stick around for another 30 minutes and snap the finer details to help tell the story. The warm morning light can really lift some subjects. Who knows you may prefer one of these shots to your sunrise image.